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reFuse Software Lowender 1.3

2015-03-31   Music

ReFuse Software Lowender icon
Name reFuse Software Lowender 1.3
Size 7.69 MB
Created on 2015-03-22 23:06:32
Hash fb4ac4d320b17586685289ea0a9b367fe8413073
Files reFuse Software Lowender v1.3 MacOSX/Lowender (7.69 MB)
reFuse Software Lowender v1.3 MacOSX/crack/license.xml (0.17 kB)



Name: reFuse Software Lowender
Version: 1.3
Mac Platform: Intel
Includes: K

OS version: OS X 10.6 or later
Processor type(s) & speed: Intel, 64 bit
RAM minimum: N/A
Video RAM: N/A

Version 1.3 features these changes:

- AAX support added
- New authorization scheme using a keyfile instead of text entry
- Gate level-detection algorithm improved
- Utility bar now appears below main plug-in window, rather than obscuring the bottom strip of the existing window
- Fine control shortcut changed from Shift-drag to Command-drag (Mac) / Ctrl-drag (Win)
- Known Issue: Pro Tools “Compare” button is not functional.

From post-production houses to disco floors, from high-powered live sound to rock, dub, and metal studio productions, the characteristic rumble of the subharmonic synthesizer has been an engineer’s best-kept secret for years. Now, finally, you can get those low lows from within your favorite DAW application!

While taking the classic “Boom Box” sound as its core, the Lowender expands on the concept in several ways. First, it offers switchable frequency ranges, so that the low end frequencies generated can be selected to fit the program material.

Second, the generated subharmonics pass through a gate tailored for low frequencies, which is useful for cleaning up unwanted bass rumble (e.g. from between kick drum hits in a drum loop).

Third, the Lowender passes the bass material through an output section comprised of an overdrive circuit and a lowpass filter. Driving or compressing the newly generated low frequencies is essential for evening out their dynamics, and will allow them to sit well in a mix. The variable lowpass filter is provided to shave off the higher harmonics of the overdrive and create a smooth low end - or you can leave some of them in, for raspier bass sounds.

Classic dual-band subharmonic architecture
Gate, drive, and output filter controls
Operates in 3 different frequency ranges to match program material
Analog modeling - no FFT shenanigans!

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