Lens Distortions – Super Gold Finishing LUTs

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Lens Distortions Super Gold Finishing LUTs icon
Name Lens Distortions Super Gold Finishing LUTs mac-torrent-download.net.rar
Size 5.64 MB
Created on 2019-10-30 20:35:30
Hash d49129daaa058e673f9183701be3a79e1ffc007a
Files Lens Distortions Super Gold Finishing LUTs mac-torrent-download.net.rar (5.64 MB)

Descriptions for Lens Distortions – Super Gold Finishing LUTs

Deep reds and golds with muted saturation.

Buy the Super Gold LUT as a standalone look.

  • A single LUT, with 3 tone variations (3 files total)
  • Compatible with Adobe Premiere, Final Cut X, DaVinci Resolve, Photoshop, and any other software that utilizes 3D LUTs
  • Individual products cannot later be upgraded to Bundles

What’s a Finishing LUT?

Finishing LUTs are designed to tie your entire sequence of shots together, resulting in a cohesive, cinematic tone. They’re less about infusing new color into your project and more about tightening up all of your shots around a disciplined color palette.

The focus of each Finishing LUT is uniform consistency across all of your footage, preservation of color integrity, and a stylized look – in that order.

Whether you use them as a starting point, in conjunction with other LUTs you already own, or as the final touch in your workflow, Finishing LUTs can improve your color grading process.

Note: Finishing LUTs are not conversion LUTs. If you shoot in LOG format or a different color space, please normalize your footage to Rec. 709 before applying a Finishing LUT.

Why do you sell LUTs individually?

Many filmmakers develop a signature look that they use for years or even over an entire career. And of course, a filmmaker may need to have a handful of looks in their arsenal that are appropriate for different types of clients or projects. But no filmmaker needs 100 LUTs. When companies try to sell you a huge list of LUTs, let’s be honest, you only end up using a select few.
So, we give you the option to purchase a single Finishing LUT to start developing your signature look with. We also offer a Finishing LUT Bundle if you want to have a highly curated selection of 10 LUTs on hand to help polish the various styles you work on.

Tested and Refined

The majority of LUTs on the market focus on heavy-handed style at the expense of quality. Those dramatic blockbuster replicas may feel expressive, but odds are they are completely compromising the color integrity of your shots.

Finishing LUTs are rigorously stress tested to ensure color stability across a wide variety of footage all while providing the cinematic tone Lens Distortions is known for.

Compared to common LUTs, Finishing LUTs generally have a lighter touch, though some style and footage combinations will appear stronger than others.

3 Tone Variations

Each Finishing LUT includes 3 variations of the look, each with its own Tone Curve. This provides a lot more flexibility for balancing color and contrast.

Works With Any Footage

Finishing LUTs work with any standard video footage (Rec. 709). If you shoot standard footage on your camera, you’re good to go. If you shoot in LOG format or another color space, please normalize your footage before applying a Finishing LUT.

Universally Compatible

Compatible with Adobe Premiere, Final Cut Pro, DaVinci Resolve, Photoshop, etc. If your editing software supports 3D LUTs, our Finishing LUTs are compatible.

Information

Compatibility
Programs

Compatible with Adobe Premiere, Final Cut Pro, DaVinci Resolve, Photoshop, etc. If your editing software supports 3D LUTs, our Finishing LUTs are compatible.

Footage

Finishing LUTs work with any standard video footage (Which should be in a color space known as Rec. 709 by default). If you shoot standard footage on your camera, you’re good to go.
Note: Finishing LUTs are not conversion LUTs. If you shoot in LOG format or a different color space, please normalize your footage to Rec. 709 before applying a Finishing LUT.

Languages
English

Super Gold Finishing LUTs Preview Video

Screenshots

Lens Distortions Finishing LUTs Bundle Screenshot 01 xnj6bn

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