|Name||Audio Damage AD046 Quanta v1.1.2b WiN OSX LiNUX.rar|
|Created on||2020-03-16 10:06:33|
|Files||Audio Damage AD046 Quanta v1.1.2b WiN OSX LiNUX.rar (158.1 MB)|
Audio Damage has announced the release of Quanta, a new Granular Synthesizer plug-in for macOS and Windows.
Quanta is a full-featured ten-voice true stereo g[ranular synthesizer, with up to a hundred 1000ms grains per voice, and full control over the grain state, with direct randomization and modulation of most parameters. Drag-and-drop a sample (WAV, AIFF, Ogg, or FLAC) on to the window and go to work.
With two multi-mode filters (with LP, HP, BP and notch in 2-pole and 4-pole topologies), and a “sidecar” virtual-analog oscillator and noise generator that can be used in addition to, or injected into, the grain engine, Quanta is a fully capable subtractive synth in its own right, and will work as a granular or subtractive (or both) synth without any sample at all.
Quanta has mod coming out its ears. First up are four of our new FEGs (Flexible Envelope Generator), a 99-point looping function generator with optional host tempo sync. Then add two arbitrary-waveshape LFOs, a multi-source sample-and-hold module, and fully user-controllable MIDI assignments, with nearly every control on the panel as a destination.
Quanta is customizable to your taste and playing style. With full MPE support, it can take advantage of the extended control set of your Linnstrument, Seaboard, Soundplane, Continuum, or other MPE controller, and support for TUN files lets you use tuning tables. The resizable Hi-DPI GUI lets you adjust the size to match your visual needs, and the cross-platform preset mechanism lets you share your creations with your friends and collaborators, no matter what system they are using.
Multi-Format Sample Loader
Quanta can load AIFF, WAV, Broadcast WAV, FLAC, MP3, and Ogg in any sample rate, bit depth, and channel configuration.
Up to 100 simultaneous grains per voice, of up to 1 second long, with control over grain rate, pitch, direction, shape, length, panning, source position, and level.
Continuously variable wave shape, with pulse width modulation, and independent control over pitch (separate from grain engine.) Can be injected directly into grain engine.
Noise source features a “color” control that affects tonal characteristics of the noise. Can be injected directly into grain engine.
Dual Multi-Mode Filters
Filters can be used in serial or parallel modes, and include lowpass, highpass, bandpass, and notch in 2-pole and 4-pole configurations.
Flexible Envelope Generator (FEG) x 4
The four FEGs are arbitrary function generators, with up to 99 steps, curve and step level control, arbitrary loop points, and host tempo sync.
Flexible Low-Frequency Oscillator (FLFO) x 2
The pair of FLFOs utilize four controls (phase, shape, skew, and warp) to access a virtually limitless palette of waveforms, and feature host tempo sync and retrigger.
Sample And Hold
The S&H mod source can sample noise (random) or any of the other mod sources, at either a user-defined rate or a musical division.
Every mod and MIDI source can be easily and simply assigned to any destination using the quick-access bi-polar modulation matrix. Touch a destination on the UI and the matrix automatically scrolls to the correct row.
Tuning Tables And Global Tuning Offset
Re-tune Quanta to new intonations and temperaments using the open-source and easy-to-use TUN file format. A global tuning offset (default to A=440) allows you to easily retune the entire synth to match a different A frequency without using a tuning table.
MPE (MIDI Polyphonic Expression)
Quanta understands both “legacy” MIDI and MPE. Use your Linnstrument, Roli Seaboard, Haken Continuum, or Madrona Labs Soundplane (among others) to directly access per-note pressure, pitch bend, and modulation.
Quanta utilizes a per-instance customization method: set MPE mode, aftertouch smoothing, pitch bend range override, tuning table, and global tuning offset for each instance in your DAW.
Quanta comes with a substantial collection of factory content, including Designer Presets from Marcus Fisher, Joseph Fraioli, Chris Carter, and Richard Devine.
Cross-Platform Preset Format
Quanta utilizes an XML-based preset manager, and stores the sample within the preset for easy asset management. Work between multiple systems without troubles, make a preset on your desktop machine and paste it to the iOS version with Handoff, easily share your creations with your friends, or make a preset bundle to sell, no asset management required.
Fully Resizable Hi-Dpi/Retina GUI
Quanta’s vector-based GUI is resolution-agnostic, and displays the same on every system and resolution. Easily resize the UI (per instance) to match your visual needs, from postage stamp to poster-sized.
- MAC: OS X 10.9 Mavericks or newer and a 64-bit DAW
Windows: Windows 8.1 or newer and a 32- or 64-bit DAW
Linux: Ubuntu 18 or later; Linux builds are currently experimental. We only offer limited support
- Web Site
- Developer Website
What’s new in Audio Damage AD046 Quanta v1.1.2b
- Ubuntu 18 version added. Please let us know if you’re a Linux user and run in to any problems.
- Factory content payload now includes Hainbach presets. If this is an update and you would like your preset package to be current, you can just delete the /Factory folder in the Quanta presets folder and re-download the entire package the next time you open Quanta. You don’t have to do anything to your user presets, and no existing sessions will be affected.
- Per-instance settings (MPE, pitch bend override, tuning table, aftertouch smoothing, and UI size) can now be saved as the default startup state via the “WRITE” button that has been added to the SETTINGS panel.
- 32-bit versions have been removed from all builds. Quanta is now 64-bit only.
- Many under-the-hood optimizations and refactoring. All old-style smart pointers that were apparently not that smart have been replaced with newer and much smarter smart pointers. We have taken the opportunity to en-smarten some dumb pointers as well, because it just seemed prudent.
- The macOS preset folder has been moved from /Library/Application Support/Audio Damage to ~/Music/Audio Damage to solve the various permissions problems that occur with sandboxed hosts, because Apple hates audio developers. This process occurs while running the installer, and should (theoretically) be transparent to the user.
- The iOS version now correctly loads and utilizes TUN files.